RED Scarlet-W 5K Digital Cinema Camera

Daily

$800

Weekly

$2,400

Contact us for a longer rental quote.

$800.00

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Description

Carrying on the legacy of the revolutionary RED ONE®, RED SCARLET-W brings an unparalleled level of accessibility to content creators everywhere.  RED SCARLET-W combines RED’s intuitive camera design—including integrated mounting points, interchangeable lens mounts, simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD recording formats, intelligent OLPF system, and in-camera 3D LUT outputs—with a RED DRAGON® sensor to provide a solution that blends flexibility and accessibility with high-end performance.

ENHANCE YOUR IMAGE

The RED DRAGON sensor allows shooters to get the best shot every time.  RED SCARLET-W harnesses the massive dynamic range of the RED DRAGON sensor to produce cinema-quality images rich with natural color.  RED SCARLET-W’s Monochrome camera option gives shooters the ability to capture black and white images that contain enhanced resolution and heightened light sensitivity.  RED SCARLET-W gives you the ability to capture your vision exactly as you see it: 5K 2.4:1 at 60 frames per second (fps), 4K 2.4:1 at 150 fps, or 2K 2.4:1 at 300 fps with REDCODE RAW.

FULLY CUSTOMIZABLE

RED’s innovative modular design brings maximum flexibility to every professional, providing adaptability in every situation you encounter.  Interchangeable lens mount options give you the capability to change your perspective at a moment’s notice, while the full range of DSMC2™ module adaptors lets you dial in your camera rig to exact specifications.

WORKFLOW MADE EASY

RED’s commitment to providing a seamless workflow persists with RED SCARLET-W. RED’s innovative REDCODE RAW recording format, also known as R3D®, enables shooters to maintain visual integrity throughout post production with non-destructive editing capabilities. Compatible with most professional-grade editing programs, REDCODE RAW easily adapts to your preferred system. Additionally, shooters have the freedom to simultaneously capture options in both R3D and Avid DNxHD or Apple ProRes file formats.

READY FOR ANYTHING

The rugged, durable design of RED SCARLET-W makes it an ideal option for wherever your journey takes you. Whether you configure your camera to be as lightweight as possible or work with a complex studio configuration, RED SCARLET-W allows you to feel secure in its abilities to capture cinema-quality images in any circumstance. A Base I/O V-Lock package option comes with the key components necessary for you to get out and start shooting, allowing you to immediately set your production in motion.

Specs: Scarlet-W


Sensor

SENSOR TYPE RED DRAGON 13.8 MP Super 35 mm CMOS
EFFECTIVE PIXELS 5120 x 2700
SENSOR SIZE 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
DYNAMIC RANGE 16.5+ stops
SIGNAL-TO-NOISE-RATIO 80 dB

Recording

MAX DATA RATES Up to 140 MB/s using RED MINI-MAG
MAX FRAME RATES 50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS 5:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps
(RANGE FROM 2:1 TO 22:1) 9:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
7:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
REDCODE RAW FORMATS 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps
AVID CODECS DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
TYPICAL MAX RECORDING TIME 5K Full Frame (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes
USING RED MINI-MAG 120GB 5K Full Frame (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes
4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes

Features

COLOR MANAGEMENT Supports 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated REDLINK WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Software

REDCINE-X PRO DELIVERY FORMATS 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE COMPATIBILITY Adobe Premiere Pro, Avid Media Composer DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro